spatial disorentation

Discussion on the historic space of neutral clothing;

论中性服装的历史性空间

Courtyard Space of Traditional Houses in Liujiaqiao of Southern Hubei Province;

鄂南刘家桥古民居天井空间研究

Unscrambling Architectural Space of Kangbaiwan Manor;

解读康百万庄园的建筑空间

Optimal design of tool parameters for machining helical surface according to spatial arc approach method;

空间圆弧逼近法加工螺旋曲面的参数优化

Study on spatial design of visual image for inland cities;

内陆城市空间视觉形象设计分析

Preliminary study of spatial scale effects of soil erosionin Liaoning Province;

辽宁省土壤侵蚀空间尺度效应初探

On the Multiple Dimensional Representation of Painting;

试论绘画的多重性“空间表现”

Stylists are seeking for a new art of three-dimensional structure, in which they can shape the dress by applying the material to human body or dress forms.

将立体构成的形式应用在立体裁制教学中可从两方面入手:一为服装材料与人体在空间的立体构成关系,二为服装材料之间的局部立体构成关系。

Nowadays,a key appeal of upholstery is to create a healthy indoor environment by making full use of interior room,economizing on resources,and employing non-pollution and green environmental materials.

充分利用空间,节约资源,采用绿色环保无污染材料,创造健康舒适的室内环境,已成为当今室内装潢的主要诉求——评判室内设计质量优劣的一个重要指标。

The room of happen-evolution of human in non-targetization through technique.

技术“揭示出”“精神观念的直接生产过程”,人的非对象化以技术为发生———演化的空间。

At the same time, it broadens the room of language expressiveness and arouses readers aesthetic imagination.

作者主要通过简短与繁复的空白,词语嵌合的陌生化和借喻辞格的隐喻化,营造语言新秩序,加大语言容量,拓展语言空间,调动了读者的审美想像力。

Lin and I pointed out that the decomposition theorem for Σ*Σ*-spaces should be considered again recently.

在林寿与我最近合作的一篇文章中指出了∑*-空间的构成定理需重新考虑。